Homo Ludens 2 0: Play, Media and Identity
Table of Content
By accepting, you agree to the updated privacy policy. By using this service, you agree that you will only keep content for personal use, and will not openly distribute them via Dropbox, Google Drive or other file sharing servicesPlease confirm that you accept the terms of use. Semantic Scholar is a free, AI-powered research tool for scientific literature, based at the Allen Institute for AI. The idea that fandom, as the collection of activities and behaviours relating to the fan identity, has a ludic dimension, and that said dimension merits individual inquiry from a game-studies perspective is discussed. We’ve updated our privacy policy so that we are compliant with changing global privacy regulations and to provide you with insight into the limited ways in which we use your data.
The article considers the processes of mythologization in the game space. The author, noting that current mythological processes in fact occur simultaneously with mythmaking, compares the specifics of mythological activities in public life and in the digital space. The systematic approach is used to study the contemporary myth.
Presentatie Homo Ludens 2.0
Our systems have detected unusual traffic activity from your network. Please complete this reCAPTCHA to demonstrate that it's you making the requests and not a robot. If you are having trouble seeing or completing this challenge, this page may help. If you continue to experience issues, you can contact JSTOR support.
Needs to review the security of your connection before proceeding.
The postmodern turn : new perspectives on social theory
Perhaps the first thing that comes to mind in this context is the immense popularity of computer games, which, as far as global sales are concerned, have already outstripped Hollywood. According to a recent study in the United States, 8 to 18 year olds play computer games on average for one hour and a half each day on their consoles, computers and handheld gaming devices . In South Korea, for example, about two-thirds of the country's total population frequently plays online games, turning computer gaming into one of the fastestgrowing industries and “a key driver for the Korean economy”. According to De Mul, examples such as propaganda through games, serious gaming, gambling, war games, or sensational and superficial media forms that include game elements show that we can neither encourage nor reject this ludification of society. Play is an expression of freedom, but at the same time overpowers us with its content. Playing is both pretending something as well as serious business.
De Mul writes that playfulness has become a life-long attitude and the entire world a playground in our post modern culture. The question this article proposes concerns the downsides of this development in the information society. The analysis of young children’s learning while they are engaged in digital games in informal contexts furthers the understanding of the potential of game-based learning in formal early childhood education settings.
Gambling and (“Dark”) Flow. A holistic Study with Best Practice Cases on How to Minimize Harm
Huizinga promoted play as an expression of human freedom , an ability to socially connect to others, and the fact that play seems to be ‘fun’. According to Huizinga, culture is played, in play, and as play. However, writes De Mul, Homo Ludens 2.0 does not only play with, via, and through the computer, but is also played by the computer through its highly addictive elements. To reflect on the meaning of ludic technologies in contemporary culture. Next, we will discuss some problematic aspects of Huizinga's theory, which are connected with the fundamental ambiguities that characterize play phenomena, and reformulate some of the basic ideas of Huizinga.
The analysis of such closely related components of modern social mythology as ritual and game is carried out. The game is considered as one of the mythocontent phenomena of the ritual. One of the key changes of the game in the digital space is the change of its essential basis – aesthetic content, which grows in a certain way, primarily due to the emergence of new formats of communication.
The Seriousness of Play: Johan Huizinga and Carl Schmitt on Play and the Political
Many of the characteristics which accompany the games of social reality are being transformed in the digital space, but at the same time new opportunities are opening up. A spectre is haunting the world – the spectre of playfulness. We are witnessing a global “ludification of culture”. Since the 1960s, in which the word “ludic” became popular in Europe and the United States to designate playful behaviour and artefacts, playfulness has increasingly become a mainstream characteristic of our culture.
Clipping is a handy way to collect important slides you want to go back to later. Now customize the name of a clipboard to store your clips. Activate your 30 day free trial to continue reading. Activate your 30 day free trial to unlock unlimited reading. This is an open access article distributed under the terms of Creative Commons Attribution 4.0 International License (CC-BY 4.0).
Instant access to millions of ebooks, audiobooks, magazines, podcasts and more. Enjoy access to millions of ebooks, audiobooks, magazines, and more from Scribd. Enjoy access to millions of presentations, documents, ebooks, audiobooks, magazines, and more ad-free. You can download the paper by clicking the button above. We feel that something is behind it all, but we do not know, or have forgotten how to see it,” Robert Fagan claims.1 Play is an integral part of being human. Free access to premium services like Tuneln, Mubi and more.
Comments
Post a Comment